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Opening Talk

Mechanisms for Opening Up Creativity: Practices in Cities around the World

2025.12.14(Sun)
LIFORK HARAJUKU (WITH HARAJUKU 3F, 1-14-4 Jingumae, Shibuya-ku, Tokyo)
Date & Time
December 14 (Sun) 4:30 pm – 7:00 pm (Open 4:15 p.m.)
Venue
LIFORK HARAJUKU (WITH HARAJUKU 3F, 1-14-4 Jingumae, Shibuya-ku, Tokyo)
Capacity
80
Admission
Free
Registration
Required (available on a first come, first served basis)
Accessibility and Support
Simultaneous Japanese-English interpretation

Panelist: Alistair Hudson (Scientific-Artistic Chairman / ZKM) *Online, Kimchi and Chips (art collective), Melissa Mongiat (co-founder of Daily tous les jours)
Moderator: Ogawa Hideaki (Creative Director of CCBT)

CCBT welcomes panelists from Germany, South Korea, and Canada working to make places better by engaging with cities, communities, and residents through art and technology. Cultural practitioners, artists, and urban designers introduce practices utilizing different methods and approaches to create frameworks and systems from various perspectives. Join us for this insightful and valuable talk.

Marking its relocation to Harajuku, CCBT hosts an opening talk to foster a space where artists, designers, researchers, engineers, cultural workers, and citizens from diverse backgrounds all come together, and to consider ways to gain footholds toward co-creation with reference to global and urban trends.

This opening talk features panelists with different backgrounds and approaches from cities around the world. They introduce practices that use art and technology to engage with cities, communities, and residents, and work to create better cities. Through these case studies, the speakers explore the actions necessary to inspire the imagination we all have, and achieve a society in which our creativity is unleashed. They also consider the potential to establish these endeavors as sustainable systems.

The speakers include: Alistair Hudson, director of Germany’s ZKM, which advocates for the “useful museum”; Kimchi and Chips, a Korean art collective that sees art, science, and philosophy on the same level, and explores their intersection through large-scale installations; and Melissa Mongiat from Daily tous les jours, a Canadian design studio that treats public space as a canvas for reinventing how we coexist today. CCBT Creative Director Hideaki Ogawa serves as the moderator sharing examples of global practices. Join us for this exciting talk.

Timeline(Tentative)

16:30〜16:40 Introduction
16:40〜18:00 [Session1] Presentation
Panelists:
・Alistair Hudson (Scientific-Artistic Chairman / ZKM) *Online
・Kimchi and Chips (art collective)
・Melissa Mongiat (co-founder of Daily tous les jours)
18:00〜18:10 Break
18:10〜19:00 [Session2] Discussion, Q&A
moderator: Ogawa Hideaki (Creative Director of CCBT)

Access

LIFORK HARAJUKU (WITH HARAJUKU 3F, 1-14-4 Jingumae, Shibuya-ku, Tokyo)

1 minutes’ walk from Harajuku Station (JR Yamanote Line)
1 minutes’ walk from Meiji-jingumae <Harajuku> Station (Tokyo Metro Chiyoda and Fukutoshin lines)

ZKM (Center for Art and Media Karlsruhe)

© ZKM | Center for Art and Media, Photo: ARTIS – Uli Deck

Founded in 1989, the ZKM (Center for Art and Media Karlsruhe) stands worldwide for an open concept of art in the digital age. At the ZKM, scientific collection and archive research is intertwined with artistic research on the electronic arts. Through these interdisciplinary connections, the ZKM presents and produces the evolution of art and media of the 20th and 21st centuries.Whether exhibitions, symposia, publications, concert programs or digital formats, the ZKM is the platform for the discourse of art and technology with society, science, business, and politics in order to examine and better understand the effects of our media and digital world on us humans.

https://zkm.de/en

Kimchi and Chips

ANOTHER MOON
Photo: Jochen Tack

Kimchi and Chips is an artist duo exploring the intersections of art, science, and philosophy through large-scale installations. Their practice approaches these disciplines as overlapping alternative maps of the same terrain, combining concepts from relativistic physics and Buddhist philosophy. They design every technical element themselves—from code and optics to structures and AI—and have released more than 200 open-source code libraries. Through their work, Kimchi and Chips investigate how art and technology shape images, perception, and interaction, engaging audiences and communities while expanding the possibilities of media art within social and urban environments.

https://www.kimchiandchips.com/works

Daily tous les jours

Daydreamer
Photo : Leah Tribett

Melissa Mongiat and Mouna Androas founded Daily tous les jours in Tiohtià:ke/Mooniyang/Montréal in 2010. The award-winning art and design studio works in an emergent field of practice combining interactive art, storytelling, performance, and urban design to reinvent living together for the 21st century. With permanent and temporary installations created in more than 60 cities around the world, their work encourages citizens to play an active role in the transformation of their cities, with the public spaces we share everyday as their canvas. The studio has garnered numerous recognitions, including a UNESCO Creative Cities Shenzhen Design Award (Grand 

Prize), Winner of the Knight Cities Challenge, and Fast Company’s Innovation by Design Award.

https://www.dailytouslesjours.com/en

© ZKM | Center for Art and Media Karlsruhe. Photo: Marvin Systermans

Alistair Hudson

Scientific-Artistic Chairman / ZKM(Center for Art and Media Karlsruhe)

Alistair Hudson is an internationally active curator and museum director. He combines contemporary curatorial practice with deep insight into the relationship between art, technology, and society. Formerly Director of the Manchester Art Gallery and The Whitworth, University of Manchester—where he was also Professor of Useful Art—Hudson developed the concept of the “useful museum,” envisioning art institutions as agents of social responsibility and transformation. He also co-directs the Asociación de Arte Útil, a growing international network which collaborates with other institutions such as the Van Abbemuseum (Eindhoven, the Netherlands), INSTAR (Havanna, Cuba), and Yerba Buena Center for the Arts (San Francisco, USA). Previously, Hudson has held positions at Grizedale Arts, the Middlesbrough Institute of Modern Art, and the UK Government Art Collection, and has served on juries for major prizes including the Turner Prize and Artes Mundi.

Kimchi and Chips

art collective

Kimchi and Chips is a Seoul-based art and technology duo founded in 2009 by Mimi Son and Elliot Woods. They explore art, science and philosophy not as separate fields to be bridged, but as alternative maps of the same world. Their large-scale installations investigate the nature of contemporary images, including the series Drawing in the Air, which merges ideas from relativistic physics and Buddhism. They personally design and engineer every element of their works: code, optics, structures, electromechanics, electronics and AI. Known for pioneering advanced 3D projection, their Light Barrier (2014) created a volumetric image using light field projection in a scattering medium. They champion open-source practices and exhibit worldwide at major institutions such as MMCA Korea, ZKM, Somerset House and Ars Electronica.

https://www.kimchiandchips.com/works/
Photo : Richmond Lam

Melissa Mongiat

co-founder of Daily tous les jours

Melissa co-founded Daily tous les jours with Mouna Andraos in 2010. She holds a Bachelor’s degree from UQAM’s École de design and a Master’s degree from Central Saint Martins College of Art and Design, London, UK, where she co-founded a research unit focused on responsive environments. She is also a member of the board of administrators of the Centre de Design de l’UQAM, Molior, and Xn Québec.

https://www.dailytouslesjours.com/
Photo: Erika Kusumi

Ogawa Hideaki

Creative Director of CCBT/ Artistic Director of Ars Electronica Futurelab

Born in Tokyo, Japan. Since 2007, he has been based in Linz, Austria, working as an artist. He is currently the Artistic Director of the Ars Electronica Futurelab, the R&D division of Ars Electronica, and the Artistic Director of the Sapporo International Art Festival 2027. He has been involved in numerous international and interdisciplinary projects, including innovative initiatives that use art as a catalyst for prototyping the future, as well as projects that aim to create communities through public participation and to implement next-generation cultural and educational programs. About Ars Electronica
Ars Electronica is a creative hub for art and advanced technology founded by the city of Linz, Austria, and has hosted the annual Ars Electronica Festival, the world’s largest media art festival, for over 40 years. It established the Ars Electronica Futurelab to research the future of art and technology in collaboration with companies, government, cultural, educational and research institutions. In addition, the group runs the Ars Electronica Center, known for promoting museums and schools of the future, as well as holding the Prix Ars Electronica, the world’s longest-running international media art competition.

Production
Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture)
Organizer
Tokyo Metropolitan Government, Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture)