{"id":42538,"date":"2025-08-21T13:48:58","date_gmt":"2025-08-21T04:48:58","guid":{"rendered":"https:\/\/ccbt.rekibun.or.jp\/?post_type=camp&#038;p=42538"},"modified":"2025-09-12T18:04:49","modified_gmt":"2025-09-12T09:04:49","slug":"exhibition","status":"publish","type":"camp","link":"https:\/\/ccbt3.h4us.dev\/en\/camp\/volume6\/exhibition","title":{"rendered":"Exhibition"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"lazyblock-ccbt-camp-keyvisual-Z2rEufO wp-block-lazyblock-ccbt-camp-keyvisual\">  <div class=\"camp-keyvisual camp-keyvisual--sub\">\n    <figure class=\"camp-keyvisual__figure\">\n      <img decoding=\"async\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/06\/\u6a2a\u9577.png\" alt=\"\" class=\"camp-keyvisual__image\">\n    <\/figure>\n    <div class=\"camp-keyvisual__overlay\" style=\"background-color: #ff590080\">\n      <h1 class=\"camp-keyvisual__text\">\n        <span class=\"camp-keyvisual__volume\">Future Ideations Camp Vol.6<\/span>\n        <span class=\"camp-keyvisual__title\">\u898b\u3048\u306a\u3044\u30eb\u30fc\u30eb\u306e\u4e2d\u3067\u90fd\u5e02\u3092\u53d6\u308a\u623b\u3059<\/span>\n      <\/h1>\n    <\/div>\n  <\/div><\/div>\n\n<div class=\"lazyblock-ccbt-camp-nav-1juHtv wp-block-lazyblock-ccbt-camp-nav\">  <nav class=\"camp-nav\">\n    <a href=\"\/en\/camp\/volume6\" class=\"camp-nav__item\">Overview<\/a>\n    <a href=\"\/en\/camp\/volume6\/curriculum\" class=\"camp-nav__item\">Curriculum<\/a>\n    <a href=\"\/en\/camp\/volume6\/exhibition\" class=\"camp-nav__item\">Exhibition<\/a>\n  <\/nav><script>\n  document.addEventListener('DOMContentLoaded', function() {\n    document.documentElement.style.setProperty(\"--camp-color-primary\", \"#ff5900\");\n    let nav = document.querySelector('.camp-nav');\n    let path = window.location.pathname;\n    if(path.includes('curriculum')) {\n      nav.children[1].classList.add('camp-nav__item--active');\n    } else if(path.includes('exhibition')) {\n      nav.children[2].classList.add('camp-nav__item--active');\n    } else {\n      nav.children[0].classList.add('camp-nav__item--active');\n    }\n  });\n<\/script><\/div>\n\n\n<div class=\"wp-block-columns pattern-camp is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\" style=\"padding-right:2rem;padding-bottom:3rem;padding-left:2rem\">\n<div class=\"wp-block-column ccbt-toc__sticky is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"ccbt-toc__before\"><\/div><div class=\"ccbt-toc is__open\"><div class=\"ccbt-toc__title\">Table Of Contents<button type=\"button\" class=\"ccbt-toc__toggle\">Toggle<\/button><\/div><div class=\"ccbt-toc__list\"> <ol><li><a href=\"#i1\">KASANARI [Umbrella Song]<\/a><\/li><li><a href=\"#i2\">MachiTune \u2014 Reclaiming \u201cShibuya\u201d into Our Hands Through Sound<\/a><\/li><li><a href=\"#i3\"><strong><strong>Right to Write: Opening the Urban Space<\/strong><\/strong><\/a><\/li><li><a href=\"#i4\">Bentofication<\/a><\/li><li><a href=\"#i5\">Driftage City Shibuya<\/a><\/li><li><a href=\"#i6\">Friction Footprints<\/a><\/li><\/ol><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-1 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\">KASANARI [Umbrella Song]<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-1024x683.jpg\" alt=\"\" class=\"wp-image-43047\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-1024x683.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-300x200.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-768x512.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-1536x1025.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_021-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-Z2uRQ6R wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Tomotosi, Suzuki Daisuke, Tsujimoto Sakurako, nagaragawa<\/p>\n<\/div><\/div>\n\n\n<p>It\u2019s raining. One hand is inevitably bound to an umbrella, our gaze drops to the ground, and our senses draw inward. Other passersby feel like obstacles to avoid and our connection to the city dissolves. <br><br>But what if this small burden of having to carry an umbrella could be transformed into a source of positive experience? <br><br>Imagine small objects affixed to the tips of shared umbrellas placed around the city. As people pass and their umbrellas gently touch, a soft note rings\u2014a fleeting harmony impossible to create alone. <br><br>Once a symbol of inconvenience, the umbrella becomes an extension of your body, your arm reaching higher above your head. The \u201cobstacles\u201d you once avoided become fellow musicians, and the city itself becomes your stage. No longer just a shield from the rain, the umbrella turns into your epidermis, sensing your personal space, and an instrumental device through which you can meet the city anew.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-2 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\">MachiTune \u2014 Reclaiming \u201cShibuya\u201d into Our Hands Through Sound<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-1024x683.jpg\" alt=\"\" class=\"wp-image-43048\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-1024x683.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-300x200.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-768x512.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-1536x1025.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_012-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-wRfeY wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Ishizaki Asako, Takei Yuto, Yasuda Aruto, Inokuchi Yohei<\/p>\n<\/div><\/div>\n\n\n<p>In modern cities, those who set the rules of society and those who follow or break them have grown increasingly divided, and the boundaries between them seem immovable. MachiTune was born to bring change to these boundaries. <br><br>Its focus is on \u201csound.\u201d On the streets of Shibuya, background music chosen by administrators plays through public speakers. MachiTune is a platform that allows passersby to decide this sound from the bottom up. By enabling people to democratically choose and play music, it creates opportunities to reweave the relationships between the city and its people, between those in power and consumers. <br><br>That said, hacking into the city\u2019s speakers right away is no easy task. As an experiment, we installed a work that hides a speaker inside a green traffic cone. By placing a speaker that allows democratic selection of sound on a Shibuya street corner, we created opportunities for people to notice \u201csound\u201d and the forces behind it. <br><br>Starting with \u201csound,\u201d people can engage with the city more actively, reclaiming \u201cShibuya\u201d into our hands. That is the future MachiTune envisions.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-5 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\"><strong><strong>Right to Write: Opening the Urban Space<\/strong><\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-1024x683.jpg\" alt=\"\" class=\"wp-image-43049\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-1024x683.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-300x200.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-768x512.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-1536x1024.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_036-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-1kJP2m wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Shimura Shota, Morita Mizuki, Sano Haruna, Uemura Kazuki<\/p>\n<\/div><\/div>\n\n\n<p>On Shibuya\u2019s accelerating, ever-denser Koen-dori (Park Street), we installed a whiteboard that anyone can write on at will. Unlike advertisements or warning signs, this undefined plane surface invites doodling, erasing, and overwriting, setting off a chain reaction of improvised exchanges among passersby. The surface becomes a prompt for collective authorship, where messages collide, mutate, and disappear in real time. <br><br>Nevertheless, gazes of indifference intersect without end. <br><br>The flow of people, propelled by consumption and purpose, shrouds the city, perpetuating a fragmented urban space sealed within fleeting passings. In public spaces, invisible rules\u2014\u2014institutions and norms\u2014\u2014govern people\u2019s behavior, eroding even the surplus capacity to actively navigate the city on one\u2019s own terms. This work sought to temporarily ease such constraints and to explore whether open space could be entrusted to the hands of the people. <br><br>In the end, did it truly bring openness to the urban space?<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-7 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\">Bentofication<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"691\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-1024x691.jpg\" alt=\"\" class=\"wp-image-43051\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-1024x691.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-300x202.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-768x518.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-1536x1036.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_006-1-2048x1382.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-PfuEK wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Ishii Ryoya, Umeshita Soma, Sarah Ali, Senbaku<\/p>\n<\/div><\/div>\n\n\n<p>Where do you eat the food you buy at convenience stores like Family Mart and 7-Eleven? <br><br>This work began with this very question. <br><br>In Shibuya, you might be able to sit on a roadside step to eat something small real quick\u2013\u2013 like an onigiri. But when it comes to a full bento set, is there really a comfortable place to eat? <br><br>In response to this scenario, we aimed to create dining spaces in the \u201cmargins\u201d of the city through minimal interventions. An example is creating props or adding ornaments that fit the urban spaces apt for Japanese eating vibes. <br><br>We started to place familiar Japanese dining objects\u2014such as soy sauce dispensers and chopstick holders\u2014on protrusions, ledges, or benches in the form of magnets or add-ons to cones already in urban public spaces. <br><br>Our goal was to reframe these spots as places for eating. <br><br>We call this process \u201cBentofication.\u201d By re-interpreting the latent margins of the city and inserting new uses into everyday life, the work aims to renew the relationship between people and the urban environment.<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-8 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\">Driftage City Shibuya<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-1024x683.jpg\" alt=\"\" class=\"wp-image-43053\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-1024x683.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-300x200.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-768x512.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-1536x1025.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_050-1-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-Z2AVrD wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Motani Kazuki, Fujimoto Miyu, Kobayashi Kanta, Fujiga Hinako<\/p>\n<\/div><\/div>\n\n\n<p>At the valley floor of the city lies Shibuya, where countless \u201cdrifted objects\u201d have gathered\u2014relics likely brought by the diverse people who have passed through. This exhibit is installed with a main sanctuary that enshrines actual drifted objects discovered in Shibuya, presenting them as objects of devotion. While \u201cdrift\u201d is a fluid practice, \u201cdriftage\u201d becomes a catalyst for story and belief. In an era where anonymous reviews and time efficiency dictate urban destinations, the act of driftage re-introduces chance and lingering into the city. Through the experience of worship and returning to the streets, visitors are invited to reflect on their own driftages, deepening both their belief in and attachment to Shibuya.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group camp-heading is-layout-constrained wp-container-core-group-is-layout-11 wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading camp-heading__title\">Friction Footprints<\/h2>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-1024x683.jpg\" alt=\"\" class=\"wp-image-43054\" srcset=\"https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-1024x683.jpg 1024w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-300x200.jpg 300w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-768x512.jpg 768w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-1536x1025.jpg 1536w, https:\/\/ccbt3.h4us.dev\/wp-content\/uploads\/2025\/08\/250813_ccbt_033-2-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<div class=\"lazyblock-ccbt-camp-colorblock-aMC2w wp-block-lazyblock-ccbt-camp-colorblock\">  <div class=\"camp-colorblock\" style=\"background-color: #ff590020\">\n    <p>Members : Lily Okamoto, Matsumura Daichi, Watanabe Hideaki, Sakamoto Hiroyuki<\/p>\n<\/div><\/div>\n\n\n<p>Footprints may be invisible, but soles tell a story. <br><br>With every step on Shibya\u2019s sloped Koen-dori, your shoe soles experience friction, gradually wearing down. This wear becomes a cumulative trace of your daily travels\u2014a physical record of your contact with the city. <br><br>As you walk toward your destination, the soles wear down bit by bit: your muscles remember the incline and hardness of the ground and your body unconsciously gathers sensory data from your feet, creating a unique walking pattern. This invisible friction is not only a physical strain but also symbolizes the many social codes we navigate in our daily lives. <br><br>Every one of us experiences Koen-dori differently: for some, a push toward consumerism; for others, a sense of exploration, walking toward the sky; and for another, a playful dance like surfing through waves of people. <br><br>Under varying conditions\u2014uphill, downhill, and shifting weather\u2014we wondered if it was possible to \u201cextend\u201d our experiences of the intersections we have between the society, city, and others through the notion of \u201cfriction.\u201d To explore this, four of us walked the approximately 500-meter stretch of Koen-dori\u2014from MODI to the NHK Park\u2014with blocks of styrofoam attached to our shoe soles, tracing the wear that occurred. The patterns etched into the styrofoam revealed the physical force of friction, making visible what was previously invisible from the conversations about our different experiences. <br><br>We invite you to walk the slopes that are familiar to you and discover the many invisible forms of friction that surround us every day.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>KASANARI [Umbrella Song] It\u2019s raining. One hand is inevitably bound to an umbrella, our gaze drops to the ground, and our senses draw inward. Other passersby feel like obstacles to avoid and our connection to the city dissolves. But what if this small burden of having to carry an umbrella could be transformed into a source of positive experience? Imagine small objects affixed to the tips of shared umbrellas placed around the city. As people pass and their umbrellas gently touch, a soft note rings\u2014a fleeting harmony impossible to create alone. Once a symbol of inconvenience, the umbrella becomes an extension of your body, your arm reaching higher above your head. The \u201cobstacles\u201d you once avoided become fellow musicians, and the city itself becomes your stage. No longer just a shield from the rain, the umbrella turns into your epidermis, sensing your personal space, and an instrumental device through which you can meet the city anew. MachiTune \u2014 Reclaiming \u201cShibuya\u201d into Our Hands Through Sound In modern cities, those who set the rules of society and those who follow or break them have grown increasingly divided, and the boundaries between them seem immovable. MachiTune was born to bring change to these boundaries. Its focus is on \u201csound.\u201d On the streets of Shibuya, background music chosen by administrators plays through public speakers. MachiTune is a platform that allows passersby to decide this sound from the bottom up. By enabling people to democratically choose and play music, it creates opportunities to reweave the relationships between the city and its people, between those in power and consumers. That said, hacking into the city\u2019s speakers right away is no easy task. As an experiment, we installed a work that hides a speaker inside a green traffic cone. By placing a speaker that allows democratic selection of sound on a Shibuya street corner, we created opportunities for people to notice \u201csound\u201d and the forces behind it. Starting with \u201csound,\u201d people can engage with the city more actively, reclaiming \u201cShibuya\u201d into our hands. That is the future MachiTune envisions. Right to Write: Opening the Urban Space On Shibuya\u2019s accelerating, ever-denser Koen-dori (Park Street), we installed a whiteboard that anyone can write on at will. Unlike advertisements or warning signs, this undefined plane surface invites doodling, erasing, and overwriting, setting off a chain reaction of improvised exchanges among passersby. The surface becomes a prompt for collective authorship, where messages collide, mutate, and disappear in real time. Nevertheless, gazes of indifference intersect without end. The flow of people, propelled by consumption and purpose, shrouds the city, perpetuating a fragmented urban space sealed within fleeting passings. In public spaces, invisible rules\u2014\u2014institutions and norms\u2014\u2014govern people\u2019s behavior, eroding even the surplus capacity to actively navigate the city on one\u2019s own terms. This work sought to temporarily ease such constraints and to explore whether open space could be entrusted to the hands of the people. In the end, did it truly bring openness to the urban space? Bentofication Where do you eat the food you buy at convenience stores like Family Mart and 7-Eleven? This work began with this very question. In Shibuya, you might be able to sit on a roadside step to eat something small real quick\u2013\u2013 like an onigiri. But when it comes to a full bento set, is there really a comfortable place to eat? In response to this scenario, we aimed to create dining spaces in the \u201cmargins\u201d of the city through minimal interventions. An example is creating props or adding ornaments that fit the urban spaces apt for Japanese eating vibes. We started to place familiar Japanese dining objects\u2014such as soy sauce dispensers and chopstick holders\u2014on protrusions, ledges, or benches in the form of magnets or add-ons to cones already in urban public spaces. Our goal was to reframe these spots as places for eating. We call this process \u201cBentofication.\u201d By re-interpreting the latent margins of the city and inserting new uses into everyday life, the work aims to renew the relationship between people and the urban environment. Driftage City Shibuya At the valley floor of the city lies Shibuya, where countless \u201cdrifted objects\u201d have gathered\u2014relics likely brought by the diverse people who have passed through. This exhibit is installed with a main sanctuary that enshrines actual drifted objects discovered in Shibuya, presenting them as objects of devotion. While \u201cdrift\u201d is a fluid practice, \u201cdriftage\u201d becomes a catalyst for story and belief. In an era where anonymous reviews and time efficiency dictate urban destinations, the act of driftage re-introduces chance and lingering into the city. Through the experience of worship and returning to the streets, visitors are invited to reflect on their own driftages, deepening both their belief in and attachment to Shibuya. Friction Footprints Footprints may be invisible, but soles tell a story. With every [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":42109,"menu_order":0,"template":"page-camp","meta":{"_locale":"en_US","_original_post":"https:\/\/ccbt3.h4us.dev\/?post_type=camp&p=42315","footnotes":""},"class_list":["post-42538","camp","type-camp","status-publish","hentry","en-US"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/camp\/42538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/camp"}],"about":[{"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/types\/camp"}],"author":[{"embeddable":true,"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/users\/7"}],"version-history":[{"count":3,"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/camp\/42538\/revisions"}],"predecessor-version":[{"id":43055,"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/camp\/42538\/revisions\/43055"}],"up":[{"embeddable":true,"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/camp\/42109"}],"wp:attachment":[{"href":"https:\/\/ccbt3.h4us.dev\/wp-json\/wp\/v2\/media?parent=42538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}